After half of a decade, the first time I see him again is at a bus stop in a dream, sitting on the curb in the shade of an overhanging tree, absently pushing a skateboard back and forth with one foot.
Behind him is a bench, dominated by a pale man with a patchy goatee, black Cordobés hat with white edges, sunglasses and a t-shirt showing a blue wolf with sunglasses playing an upright bass. The man is sitting in the centre of the bench with his arms spread across the top as though he planned to sneak a cuddle out of anyone who dared sit beside him. I would have chosen the curb too.
My former friend has changed very little, still skinny and unshaven with a Beavis-style haircut, dressed as a strange mix of metalhead, skater and engineer. I suppose it would be unreasonable to expect him to be different, considering the circumstances. He recognizes me at the same time I recognize him.
“Hey, asshole,” he greets me, in the joking tone you use when you’re serious.
“Shithead,” I reply, as though he were a coworker I’d greeted the same way for years.
Apparently there’s still some ill will here. A few awkward moments pass before anyone speaks.
“So, what happened?” I ask, “Best friends for three years and then suddenly you disappear.”
As soon as I say it, I remember how this largely wasn’t true. We’d been friends based on a taste for math jokes, drinking, listening to obscure and unpalatable music, and being bitter about our failures with women, or to be more accurate, their failures with us, their failures to see us as the fun, smart, caring people we thought we were. Great catches.
At one point near the end of our friendship I simultaneously had my heart broken and was introduced to the local party scene. I discovered music that made me want to move, although I was scared to, because there were women watching, many of them shockingly attractive. What was the raver equivalent of James Dean? Whatever it was, it clearly didn’t involve an impressive knowledge of Mahavishnu Orchestra’s body of work. I started to realize that I was complicit in my loneliness, and started taking action to fix it.
On his end, he continued cultivating his knowledge of ever more obscure progressive rock and jazz. When I invited him out to parties he would decline in favour of spending time playing pool with a subtly condescending computing science guy who managed to have attractive girlfriends while still listening to Gorky’s Zygotic Mynci: proof positive that there’s life after prog. The guy never sat well with me; his speech was full of subtle barbs to leave you feeling inadequate, and it reminded me of tips from sleazy pick-up manuals. I never saw him with the same girlfriend more than three times.
Finally, as I started grad school and he finished his last term of undergrad, I received an email telling me that I was a shitty friend and that I was never there for him. I replied asking when I should have known to be there, and he replied, “Fuck you.” Then, mutual silence. I wondered what he was up to a few times in the intervening years and sent quick emails, which were ignored.
“Well,” he says, “you turned into a dick. With all your indie rock and that shitty electronica. Absolutely no redeeming value, it’s all crap.”
“This coming from the guy with the complete works of Pain of Salvation.”
Jazz wolf’s ears perk up. He gauges the tone of the conversation and decides against interjecting.
“Besides,” I say, “it’s pretty narrow to call someone’s expression worthless based on your perception of how difficult it is to play.”
“It’s not just that, jackass, it’s about soul.”
“Or maybe you just don’t appreciate the soul of musicians that aren’t relentlessly focused and self-indulgent.”
Jazz wolf wants to speak up so badly that he’s squirming.
“Or maybe I’m not willing to change myself to get laid.”
“Are you saying that you’re unwilling to leave your intellectualized music bunker or that you’re still a virgin?”
He laughs. “Me, unwilling to leave my bunker, eh? How much of your three month-long iTunes library have most people heard of?”
I have to admit that he has a point. “How do you know how big my library is?”
“This is a dream, remember? I’m just the most convenient face to put on the parts of yourself that you’re ashamed of, that you tried to bury and need to confront. The part of you that pursues the esoteric fringes of things to avoid connecting with anyone as an equal and confronting your fear of rejection, the shame and anger you feel because of it, and the way you funnel that into harsh judgements of yourself and others.”
“But how can I confront that?”
“Well, in some ways you have. You haven’t forgiven yourself though. You still think you wasted all those years.”
I can’t think of anything to say. Jazz wolf has stopped shifting too, and looks introspective. “Who’s he?” I ask.
The image of my old friend stands up and puts a foot on his skateboard. “Probably your habit of interrupting and correcting people. I have a feeling you’ll deal with him eventually.” He pushes twice and glides down the road without looking back.
When I look back at the bench, Jazz wolf has become a magpie, retaining only the hat. He takes off, and I sit down to wait for the bus.
Distribute to your colleagues: